Bounce without friction
Original score, sound design and licensed music for film and advertising. From one desk.
Trampoline Culture Records, founded by Nathan McNeill
Bounce without friction
Original score, sound design and licensed music for film and advertising. From one desk.
Trampoline Culture Records, founded by Nathan McNeill
On a trampoline you learn to read the people around you and adapt in real time. Trampoline Culture Records is built for collaboration that moves — composing and curating bold soundscapes that bring creative vision to life.
Red Eclipse is a free, open-source arena shooter known for its parkour-driven gameplay and long-running community development under lead developer Quinton Reeves. When Reeves supplied the original lyric, Nathan McNeill took on the role of executive producer, interpreting the text, recording lead vocals, and directing the full production through to final mix and master.
The track was built in collaboration with two emerging Filipino artists: Denzel Vaughn of Fresh-iLL Club on synth design, and the guitarist-producer novander, whose electric guitar work has become a signature element of the song. Additional mix support was provided as a courtesy by Ollyvans of Ollyvans Studios.
The result is a high-energy theme that matches the game’s aggressive, agile character while remaining fully original.
“Trampoline Culture is a powerhouse of creative productivity. Classical training paired with a broad technical skill set puts them high up on our list of favorites to work with.”
— Jesse Rothman, Penthouse Recording Studios
“We’ve worked with Nathan on a number of projects over the years, and he’s always been a pleasure to work with. The quality of his work is consistently strong — his sound design lifts our videos, and the custom music tracks he’s created from scratch fit each project perfectly. It’s made a noticeable difference to the final product.
He’s reliable, communicates well, and always delivers when he says he will. I’d happily recommend him to anyone looking for quality audio production and sound design.”
— André Meyer, Meyer Productions
For sync, licensing and custom score enquiries:
label@trampolineculture.com
What started as an unfiltered collaborative experiment on a Brooklyn trampoline has become the working philosophy of Trampoline Culture Records.
On a trampoline you learn to read the rhythm of the people around you and adapt in real time — or you fall. That same creative agility now drives the label’s approach to composition, sound design and sync. High-level collaboration in film and advertising demands exactly this: the ability to move with a director’s changing brief, absorb sudden edits, and still deliver something precise and distinctive.
South African-born founder Nathan McNeill spent years moving through New York’s boroughs, absorbing the grit, humour and cultural friction of the city. Those experiences are not background colour — they are the raw material that shapes the label’s sound.
Trampoline Culture Records crafts avant-garde audio assets and music for film, television, advertising and other media. The trampoline was never just a place to bounce. It was training for the kind of collaboration that high-level work actually requires.
